Fifteen years, five verticals, national scale. I close the gap between what organizations build and what their audiences believe.
Fifteen years across nonprofit, federal, tech, entertainment, and brand — each a different environment, different constraints, different definitions of success. The method holds. The application never does.
The work isn’t done when it launches — it’s done when people change what they do.
At Keep America Beautiful, I led the rebrand of a 70-year-old national nonprofit and the PSA campaign behind it — 160,000+ airings across all 50 states, and a branded Giphy channel that drew 4.5M+ GIF views. The movement it powered mobilized 11.9 million people and $300M in economic impact.
At the Department of Homeland Security, federal communications that took First Place at the National Association of Government Communicators — full Section 508 compliance and real creative ambition, in the same work.
At Ecrion Software, a global SaaS brand rebuilt from scratch — a mascot system that was a first in enterprise document automation, and a web presence built to convert.
I build the systems that make great work repeatable, not just possible once. Available full-time or fractional, through Creative Mind Ventures LLC.
15+ years. Every role a different challenge. The same standard of work.
Cross-sector creative direction across nonprofit, tech, government, and entertainment. Communication strategy applied to brand.
Led the complete rebrand of a 70-year-old national nonprofit. New identity, affiliate toolkits, digital infrastructure. The “Recycle Like Everyone’s Watching” PSA campaign earned 160,000+ airings across all 50 states. The organization mobilized 11.9M participants and generated $300M in documented economic impact that year.
Creative Director for DHS Science & Technology. Led a 10-person team through federal communications, interactive digital experiences, and print — all cleared through a multi-tier compliance pipeline. NAGC First Place. Section 508. Both.
Full rebrand and GTM rebuild for a European enterprise SaaS company entering North America. New identity, messaging framework, web architecture, and demand gen from scratch — including a brand mascot system that was a first in the document automation category.
Camera crew on the Athens 2004 Olympic Games broadcast — one of the most-watched events in TV history. In-office at Icon Productions during the $40M Mel Gibson feature Apocalypto. Founded One Thousand Voices — eight years of documentary and advocacy creative for humanitarian organizations in the Middle East.
Most briefs describe what someone wants; the real work is figuring out what they actually need. I spend more time on diagnosis than most teams spend on execution.
A brand system that only works at headquarters isn’t one. I build for the worst case — no designer, no budget, ten minutes — and if it holds there, it holds everywhere.
Section 508 compliance. Federal approval pipelines. 20,000 affiliate partners. Every constraint I’ve worked inside produced better work than the unconstrained version would have.
I judge the work by what people actually do after it ships — not impressions. That’s the standard I hold myself to.
"Tim is one of the best creative directors I've ever worked with in my 13-year career. He does a great job of empowering his staff to explore creative solutions and push the boundaries beyond what clients often expect."
Full-time or fractional. Drop me a line and we’ll know in 20 minutes.